While both the conical-shaped ribs and the canopy above the orchestra do tend to focus sound outwards. studio condenser-type microphones for just about everything, including Sennheiser, Schoeps and.
When faced with new and exciting audio technology like Sennheiser’s Orpheus. By way of example, Stockhammer says to consider an orchestra playing in a big, lustrous, wonderful hall: “The feeds we.
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the 293,000-square-foot Walt Disney Concert Hall (Los Angeles)encompasses two outdoor amphitheaters, a space for pre-concert eventsand its centerpiece: a 2,265-seat concert hall where the Los.
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Since the early 1980s, Nathan East has been a go-to session bassist for Quincy Jones. Many of the same musicians appear on Reverence (Yamaha), East’s new solo release. “On the first record, one of.
The 350 voices, with accompanying 100-plus seat orchestra—all of them volunteers—have entered. then 40. By 1990 we would record 40 languages on two 24-track reel-to-reels, 5,000-foot rolls, at 3.75.
While the Raspberries albums were recorded at Record Plant New York with engineer Shelly Yakus. Shaker” microphones that were a favorite of the studio. Kicks took a Sennheiser 421 and an EV 88,
Tony Longworth: My Inhumanity studio consisted of a 3rd generation iPad, Korg Gadget app, Korg microKEY Air keyboard, Sennheiser headphones and my. conducting an orchestra with a film showing on a.
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Colby is a senior sound engineer for the Boston Pops and a frequent engineer and consultant for the Boston Symphony Orchestra, which last year installed. For more, visit InnovaSon at.
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Stan Taal, a former recording engineer for Philips Classics, mixed the orchestra. Louis Buskens managed the challenge. All the electronics were Sennheiser, and the soloists were also equipped with.
Schoeps CMC6MK21, Schoeps CMC4 MK41 and Sennheiser MKH 8040 microphones were used as additional spot mics. Aside from recording, Bove also performed the editing, mixing and mastering for The.
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He has worked for analog synth manufacturer EMS, designed several well-regarded recording rooms in New York. Elton John, The Brian Setzer Orchestra, B.B. King, and The Isley Brothers. He recently.
recently upgraded its2,500-seat main worship center with a new InnovaSon Sy80 digital mixingconsole for front-of-house and monitor duties, which includesreinforcing a full band, 35-piece orchestra.
For instance, I listened to Dizzy Gillespie and the United Nation Orchestra’s Live at the Royal Festival Hall recording on the Sennheiser HD598 paired with the uDAC-2. With the combo I was treated to.
Play anything with an orchestra. speed record. What’s more exciting, however, are the possibilities created by such a project, as this high-end tech will no doubt (slowly) trickle down to consumer.
And when you do commit to such a purchase there are going to be certain brands you trust: Sennheiser, Shure. built from the ground up to operate in the professional recording dens of the world. Why.
has hosted the Connecticut Orchestra,numerous area symphonies, conductors, and individual artists, such asJames Taylor, Natalie Cole, Peter, Paul & Mary and many others.This year, Sennheiser and Altel.
We regularly put on shows with a rock bandbacked by an orchestra and need the full 80 inputs. The Sy80 was installed by Sennheiser Canada, which already sold morethan 20 InnovaSon digital consoles.
Sennheiser’s strongest suit of late has been upper-midrange. A single flute at the back of an orchestra is just as clear as two dozen violins at the front, just like real life. Of course if the.