James Jamerson The Funk Is In The Gunk

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Motown did not usually give album credit to the studio musicians, however on “What’s Going On” The Funk Brothers are individually given credit, with James Jamerson being credited as “The Incomparable.

The guitar, from Funk Brothers ace Robert White. pushing forward the song’s urgency. The bassline is another James Jamerson wonder, busy and complicated but never so showy that it detracts.

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Obviously when we started doing shows with Rick James and you’re right we we’re opening for Rick James— Punk Funk— and you didn’t get much. My favorite player is James Jamerson, who’s yours?.

For starters, James Jamerson was only one of Motown’s "Funk Brothers," the small cadre of Detroit, mostly jazz musicians who backed Gordy’s choir of vocal groups. "Would you happen to know who played.

There are personal politics in ”Motown,” because the Funk Brothers had to cope with the whims of a genius as wily and autocratic as Fidel Castro and far more unpredictable: the bassist James.

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Just listening to him talk about his four-string heroes Bootsy Collins, Larry Graham, Verdine White and James Jamerson, you can hear the excitement. “I’ve always loved bass, and especially when.

Ruffin embraced Whitfield’s edgier sound, as did his replacement, a powerful, gritty singer named Dennis Edwards, who was initially discovered by Funk Brothers bass legend James Jamerson and cut his.

You didn’t know that you wanted to see a movie about the Funk Brothers, but, believe me. Six have died, including hard-living drummer Benny Benjamin and James Jamerson, whose pioneering licks on.

From my days with Wayne Krantz and drummer Keith Carlock, I was able to develop a sound that was unique while drawing from funk, electronica. I built in some complexity in the Willie Weeks or James.

James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bass player.He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. He was inducted into the Rock and Roll Hall of Fame.

There’s enough for the melody and its accompanying harmony parts, and also for a curious interplay between grandeur (often pushed, chromatically, toward joy by James Jamerson, the bassist for the Funk.

James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bass player.He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. He was inducted into the Rock and Roll Hall of Fame.

Although the guitarist Robert White and the bassist James Jamerson followed the company to the West Coast, they never achieved the same status they had had in Detroit. Other Funk Brothers like the.

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James Jamerson, longtime genius bassist of Motown’s Funk Brothers, claimed that he’d played on the song, but most people seem to agree that new recruit Wilton Felder, who later helped found the Jazz.

and to the band – the fabled Funk Brothers – who backed up most of the artists recorded at Hitsville. The prototypical lineup was Benny Benjamin on drums, James Jamerson on bass, Earl Van Dyke on.

Especially my favorite song — "Bernadette" by The Four Tops. We became heavily inspired by James Jamerson of The Funk Brothers, in my opinion he is the best bass player that ever lived next to Larry.

His influences range from Ray Brown, Paul Chambers and Jaco Pastorious to James Jamerson. Dushun Mosley. His style is Traditional Jazz, Creative Music, Blues and Funk in a combo band setting, but.

James Jamerson, Jr., the son of renowned Motown/Funk Brothers bassist James Jamerson and an in-demand bass player himself for over forty years, has died at the age of 58. No cause of death has been.

The seven-piece band from Brooklyn played their electrifying Memphis soul-meets-New Orleans funk tunes to a large. melodic style of bass originated by legendary Motown session player James Jamerson.

The horn-driven pop group, which moved more than 90 million units of its Afro-pop-funk over nearly 50 years. Q: And you were a fan of Motown bass great James Jamerson? James Jamerson, absolutely,